Maxime Maufra Expert, International Art Authentication Investigations, Maxime Maufra art forgery and fake art detection, M Maufra paintings studio attribution painting, oil, portrait, French landscape

 

Maxime Maufra Authentication

 
Enquêteurs d'authentification

Investigadores de autentificación

محققو مصادقة فن كوروت

Ermittler der Kunstauthentifizierung

Maxime Maufra

 

Investigadores de autenticação da Art

Maxime Maufra

Арт Следователи

艺术真实性调查员

Kunsoutentiteit ondersoeker

פיין קונסט אָטאַנטיסיטי ינוועסטאַגייטער

 

Authentication & Attribution Investigations

 
 
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Investigating the Authenticity of Paintings and Drawings believed to be by or Attributed to;

 

Maxime-Émile-Louis Maufra

Maxime Maufra

1861 - 1918

French Landscape and Marine painter, Etcher and Lithographer.

Follower of the Impressionists

 

 

  Throughout his artistic career, Maxime Maufra painted the subjects he knew best, the sea, harbours, ships and the French countryside.

Moving to England at the age of 20, he studied the works of Turner and Constable before returning to France and painting in Paris.

Moving to Pont-Aven in Brittany where he lived for six months, he met Gauguin. Maufra was considered a member of the Pont-Aven School, along with Bernard, Loiseau and Moret.

 Often quite poorly emulated, due to the increasing values of his painting, he is often faked. But there may just be works that were either lost, mislaid, or have been with families for eons that have never surfaced and that have not yet been documented. But today, some Maxime Maufra works that do appear of the open market are misattributed, either mistakenly or more commonly, deliberately, with the latter application all too frequent.

 Simply by the inclusion of a copied signature or more commonly, a monogram, placed on a work of art of a similar type, style, or subject matter to his own paintings, or one applied to a previously unsigned or lesser work, even a student of the arts emulated effort, (where an original signature has been deleted,) it is no wonder that question marks can and do arise about the authenticity of some Maxime Maufra paintings.

 We are international fine art consultants, specializing in conducting full investigations into the authenticity of works of art created by artists in all categories, all regions and from historical eras, alongside scrutinizing their provenance. Confidentially serving both private individuals and corporate clients from around the world for over 45 years, we can assist and advise you in all fine art related matters, particularly issues of authenticity, legitimacy and the attribution of old and modern master works of art. Including the fine works of Maxime Maufra, his circle, or any paintings or works of art that you are unsure about.

Some examples of Maufras' works signed with that name, appear below.

 

 

     

Maxime Maufra LE VENT Signed Maufra

and dated 1899 Oil on canvas US$266,500.00

Maxime Maufra 1861 - 1918 FLEURS D'AUTOMNE Signed Maufra and dated 1902 Oil on canvas

US $80,500.00

Maxime Maufra LE VILLAGE DE SAINT-AVOYE (MORBIHAN) Signed Maufra and dated 1908.

Oil on canvas

US$62,500.00
 
     
Maxime Maufra Paysage d'hiver signé et daté 'Maufra 1918.' (en bas à droite) huile sur toile Winter landscape signed and dated 'Maufra 1918.' (lower right) oil on canvasPeint en 1918 signed dated 'Maufra 1918.' oil on canvas US$30,524.00

Maxime Maufra Dans le port, Concarneau

signed and dated 'Maufra 1900' charcoal

and watercolour

on paper US$2,387.00

Maxime Maufra (1861-1918) Entrée du Port de Palais signed 'Maufra' (lower right) oil on canvas

US $37,525.00

 
     
MAXIME MAUFRA. "LA CHAPELLE - ST. RION"
Signed 'Maufra' bottom right; also titled on mat verso, watercolour and charcoal on paper $1,875.00

Attributed to Maufra Maxime (French, 1863-1918) Reclining Figure watercolour

Sold for £ 24.00

Maxime Maufra (1861-1918) Belle-le-Sauzon, le port signed and dated 'Maufra 1905' ; inscribed 'Maufra - Belle-Ile-Sauzon le Port' (on the reverse) oil on panel Estimate: £3,000 - £5,000 Not Sold

 

 


 

Fine Art Authentication

 

  Both the duration and direction of any attribution or investigation of authenticity will always vary from project to project, but there are clear and well defined professional formalities, responsibilities and areas of scrutiny that we can assist you with including:

 

Authentication: Authentification: Conducting and directing comprehensive investigations and in depth research, with a view to establishing a correct, full and formally recognized certification of a work of art. One that is absolutely upheld by the appropriate, legally acknowledged and internationally sanctioned authority, body or expert on that given artist.

Directing detailed and complicated inquiries with multilingual, international academic research and any forensic applications that are required.

 

 Attribution:  Identifying and confirming the identity of a previously anonymous artist, studio or workshop from which a work of art most likely originated. Including the re-examination and investigation of a previous attribution which may be incorrect, or the scrutiny of an attribution that has been formally questioned or doubted.

 

 Confirmation:  Undertaking research and investigations into the legitimacy of the provenance, history and prior ownership of a work of art and establishing its own accuracy.


 Scrutiny: Examen minutieux: Identifying fake works of art and forgeries, including any false supportive accompanying documentation and determining works of art which may be studio or later copies, or previous incorrect attributions.

 Prosecution: Poursuite: Investigating alleged art fraud and forgery and assisting and advising those who are , or may be considering litigating or prosecuting the fact. This includes legal professionals and private clients.

 Attention:  Conducting all fine art related due diligence and duty of care inquiries. Including safe prepurchase or sale related audits and assisting clients in consolidating a well balanced future family distribution.

 

 Appraisal: Évaluation - Valuations, quality and condition reports.

 

 

 

 

 

Step one in the Art Authentication and Attribution process.

The Pre-Authentication Assessment

 

    Sensibly, before you begin any art authenticity, legitimacy, or any artist attribution investigation, it is more than wise to have an impartial preliminary assessment of the viability of the project conducted first. Made to independently and rationally balance any negative issues there may be against the positive elements. Treat this study as your safety net.

 We will be happy to professionally undertake this for you, based upon good quality images that you supply and all the known facts regarding its acquisition, the history and provenance of the work of art as is known to you.

You will then have a far better understanding of the prospects and pitfalls that could lie ahead.

See our FAQ's for details of the process

CONTACT

We will respond to you promptly.

 

 

 

  Avant d'entreprendre une enquête sur l'authenticité d'une œuvre d'art ou l'attribution d'un artiste, il est plus que prudent de procéder à une évaluation impartiale de sa faisabilité. Ceci est fait pour équilibrer indépendamment tous les problèmes négatifs qui peuvent exister contre le positif.

Nous serons heureux d'entreprendre cette étude d'une manière professionnelle pour vous que nous considérons comme votre principal filet de sécurité.
Il sera basé sur les images que vous fournissez et tous les faits connus concernant votre acquisition, son passé et la provenance de l'œuvre telle que vous la connaissez. Vous aurez alors une meilleure compréhension des perspectives et des difficultés éventuelles à venir, avant de prendre une décision.

 

 

 Spanish flag Antes de embarcarse en cualquier investigación de autenticidad artística o atribución de artista, es más que prudente realizar primero una evaluación imparcial de su viabilidad. Esto se hace para equilibrar independientemente cualquier problema negativo que pueda haber contra el positivo.

Nos complace emprender profesionalmente ese estudio para usted, que consideramos su red de seguridad. Se basará en las imágenes que usted suministre y todos los hechos conocidos con respecto a su adquisición, historia pasada y procedencia del trabajo tal como lo conoce.

Entonces tendrá una mejor comprensión.

 


 

 

 

ABOUT PAINTING DESCRIPTORS AND TERMINOLOGY

 

 

  It is important to understand the auction terms used in any published descriptor and to be cautious of works that may just be painted in the style or manner of the artist, or even the stylized - would be copies of his works which happen to bear a signature or monogram. In this case the paintings and drawings of Maxime Maufra 1861 - 1918 .

 

 Were the name Maxime Maufra 1861 - 1918 given with the first name/s and surname of the artist, then in their professional opinion it is the genuine ahd authentic item, one painted by the artist himself, Maxime Maufra 1861 - 1918 .

 But if the name Maxime Maufra 1861 - 1918 ; is described as “Attributed to Maxime Maufra 1861 - 1918 , then in their opinion it is 'probably' a work by the artist, at least in part. But there is no guarantee. It's only an opinion.

 When Maxime Maufra; “Studio of ….” or “Workshop of Maxime Maufra "atelier" is used, this means that in their opinion it is a work executed in the studio of the artist. Possibly by an apprentice or even a pupil under the principal artists supervision.

 But if the term Maxime Maufra, “Circle of Maxime Maufra” is used, then in their opinion, it is a work of the period of the artist and showing his influence, or closely associated with the artist, BUT not necessarily by his pupil or student.

 When the name Maxime Maufra; or Painted in the “Style of ….” or “Follower of Maxime Maufra is used, this means that in their opinion it is a work of art executed only in the artist’s 'style', but not necessarily by a pupil. But it may be contemporary, or nearly contemporary of the artist.

 If the phrase in the “Manner of Maxime Maufra, is defined….” Then in their opinion it's a work painted in the style of the artist but of a later date and definitely not by the artist himself.

 When the term “After….” Maxime Maufra; is used, then in their opinion it is a copy (made at any date) of an authentic and original work by the artist. This also applies to prints made 'after' an original..

 Maxime Maufra; “Signed…”, “Dated….” or “Inscribed” Then in their opinion the work has been signed/dated/or inscribed by that specific artist. The addition of a question mark however, indicates a strong element of doubt.

 When the term Maxime Maufra is used followed by the words; "With signature ….”, or “With date ….” or “With inscription….” or “Bears signature Maxime Maufra /date/inscription” Then in their opinion, the signature / date / or inscription is spurious, forged or has been added by someone else other than the artist.

 

We can assist and advise you in all fine art related matters.

 



 

 

 

 

 

SPECIALIST ART AUTHENTICATION LINKS LISTED BY ARTIST

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CORNEILLE  Guillaume Beverloo
CROME JOHN
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PICASSO USA BRANCUSI  CONSTANTIN
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Auguste Herbin
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Jean Metzinger
Alfons Walde Alfred Sisley
Andre Lhote
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Barend Cornelis KOEKKOEK Alfred Stevens
JOAQUÍN SOROLLA
James Ensor
Alexander Archipenko Isaac Israels
Henri Fantin-Latour
Odilon Redon
Hendrik Willem Mesdag Henri Gervex
Paul Sérusier
JAWLENSKI Alexej von
Matthijs Maris Maxime Maufra    
 

 

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Maxime Maufra Expert International Art Authentication Investigators | Fake Dutch Painting & Forgery Detection | Expertise Attributions, impressionist oils, watercolours, landscape subjects seascapes, authenticity

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Maxime Maufra Expert, International Art Authentication Investigations, Alexej Jawlensky art forgery and fake art detection, A Jawlensky paintings studio attribution painting, oil, portrait , abstract