Giacomo Balla Expert International Art Authentication Investigations Experts, European old master studio attributions, art forgery fake art detection, paintings  portrait, painting, oil, ,drawing.

Giacomo Balla & Studio

Fine Art Authentication Investigations

 


Enquêteurs d'authentification

Investigadores de autentificación

محققو مصادقة فن كوروت

Ermittler der Kunstauthentifizierung

Giacomo Balla  & Circle

FINE ART AUTHENTICATION  & ATTRIBUTION

INVESTIGATION AND RESEARCH  EXPERTS

Investigadores de autenticação da Art

Giacomo Balla

 

Арт Следователи

艺术真实性调查员

Kunsoutentiteit ondersoeker

פיין קונסט אָטאַנטיסיטי ינוועסטאַגייטער

 
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Investigating the Authenticity and Attributions of works of art believed to be by;

Giacomo Balla

(18 July 1871 – 1 March 1958)

Italian

 

 

 Many paintings can be and often are misattributed to an artist, either mistakenly or deliberately by those of that persuasion. Particularly when an artists works start to fetch high prices at auction.

So it isimportant to be able to distinguish between those works actually executed by an artist such as Giacomo Balla, compared to those 'claiming' to be by him, or rather that we are told are by him.

 There are always going to be those replicated or repeated works made by others to rule in or out and more possible and sometimes much more plausible authors to consider in an artist attribution equation. There's also bound to be paintings created by artists from within that artists direct circle and when you place those issues alongside works mistakenly believed to be by him, painted by one of his followers, artists who produced similarly themed paintings but in the artists own manner, which could have been painted at any time after him and it can become extremely confusing. Worrying too, as adding a monogram or copied signature to one of these lookalikes is the most common forms of art fraud we see.

* * *

 As an international specialist fine art consultancy, with bases in the UK and Europe, we have been confidentially serving both private individuals and corporate clients around the world for over 45 years. In so doing, investigating both single works of art and complete collections for clients and conducting in-depth authentication and legitimacy investigations and inquiries, as well as full academic and forensic investigations and multilingual archival research into the origins of all old and modern master works of art from different geographical regions and eras . We also scrutinize and research the provenance and ownership lineage.

 We are able to assist and advise you in all fine art related matters, particularly issues of authenticity and attribution, including the works of Giacomo Balla, his circle and workshop, or those of his followers, or any works of art that you are keen to learn about.

 Some various example works of art associated with this name appear below as illustrations. 

Note: No inference is made, nor is it intended as to the question of legitimacy here. Moreover these are an across the board representational view of the differing types of works that are and may in the future be offered and advertised for sale at auction internationally.

 

 

 

 

 

 

     
Giacomo Balla
STUDIO PER "MERCURIO CHE PASSA DAVANTI AL SOLE VISTO DAL CANNOCCHIALE" (STUDY FOR "MERCURY THAT PASSES IN FRONT OF THE SUN SEEN FROM THE TELESCOPE)
Signed Balla and dated 1914
Gouache on paperExecuted in 1914
Sold USD $1,690,000.00
Giacomo Balla
Futurist Dance Via Paisiello
Signed and dated Balla Futurista 1915
Oil on canvas
Sold EUR 766,650.00
Giacomo Balla
LINEE FORZA DI PAESAGGIO (LANDSCAPE FORCE LINES)
Signed FuturBalla (lower left)
Oil and pencil on paper laid down on canvas
Painted circa 1918
Sold USD $262,000.00
     

Giacomo Balla
PARAVENTO CON LINEA DI VELOCITÀ

(SCREEN WITH SPEEDLINES) 
Stamped BALLA FUTURISTA (lower left)
Oil on four canvases on two artist's

stretchers Painted in 1916-17.
Estimate USD 600,000.00 — 800,000.00
Sold USD $1,090,000.00

Giacomo Balla Luci di corallo

Ritratto di Elica Balla (Coral lights

Portrait of Elica Balla)Signed upper right Balla;

title, signature and date on the back Luci di corallo,

Balla 1944Oil on board
Estimate ITL 25,000,000.00 - ITL 35,000,000.00
Sold ITL 72,850,000.00

Giacomo Balla
Donna che cuce
Signed 'G Balla' (lower right)
Oil on canvas
Sold GBP £78,500.00
     
Attributed to Giacomo Balla
Forze Spaziali
Gouache on paper
Signed Futur Balla lower left
Estimate USD 1,000.00 - 20,000.00
Not sold
Giacomo Balla
Undated, signed.(Italian, 1871-1958)
Pencil drawing, signed in pencil lower right.
Estimate: USD 20,000.00 - 45,000.00
Not sold
Attributed To Giacomo "Futur" Balla
Coloured and tempera painting on paper applied on cardboard.
Estimate USD 1,500.00 - 2,500.00
Not sold

 

 

 

 

Fine Art Authentication Investigation

 

   The duration and the direction of any authenticity investigation or inquiry into an attribution of a work of art will inevitably vary from project to project. But there are clear and very well defined professional formalities, responsibilities and areas of scrutiny that we can formally assist you with, including:

  • Authentication: Authentification:   Conducting comprehensive investigations and in depth research into a work of art with a view to establishing a correct, complete and formally recognized certification. One absolutely upheld by the appropriate, legally acknowledged and internationally sanctioned authority, body or expert on that given artist. Directing detailed and complicated inquiries, with multilingual capability, including any international academic research and forensic applications that are required.

 

  •  Attribution:  Identifying and confirming the identity of a previously anonymous artist, studio or workshop from which a work of art most likely originated. Including the re-examination and investigation of a previous attribution which may be incorrect, or the scrutiny of an attribution that has been formally questioned or is currently doubted.

 

  •  Confirmation:  Undertaking research and investigations into the legitimacy of the provenance, history and prior ownership of a work of art and establishing its accuracy and legitimacy.

  •  Scrutiny: Examen minutieux:Identifying fake or faux works of art and forgeries, including any false supportive accompanying documentation and determining works of art which may be studio or later copies, or previously given incorrect attributions.

  •  Prosecution: Poursuite: Investigating alleged art fraud and forgery and assisting and advising those who are currently , or may be considering litigating or prosecuting the fact. This includes colleagues who are legal professionals and individual private clients.

  •  Attention:  Conducting all fine art related due diligence and duty of care inquiries. Including safe prepurchase or sale related audits and assisting clients in consolidating a well balanced future family distribution.

 

  •  Appraisal: Évaluation - Valuations and condition reports.

 

 

 

 

 

 

 

 

 

 

Step one in the Art Authentication and Attribution process.

The Pre-Authentication Assessment

   L'évaluation de pré-authentification. La evaluación previa a la autenticación

 

 

 We strongly advise clients before embarking on a full investigation of legitimacy or an artist or studio attribution inquiry, that it is wise to have an impartial preliminary assessment conducted first. One made to balance any issues that may be present that could make the longer term exercise unviable.

 This is a professional advisory service we provide, based upon the images you supply, the full details of work of arts acquisition, its history and provenance as is known to you, along with sight of any documentation, previous research or analysis that you may have had formerly conducted.

You should then have a far better understanding of both the prospects or any pitfalls we may face, before making a decision. This is a logical and cost effective professional review for which there is a modest set fee.

 

 

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We will respond to you promptly.

 

 

 


 

 

 

A WORK OF ART DESCRIPTOR AND TERMINOLOGY

 

 

  *It is very important to clearly understand the auction terms that are commonly used in any published descriptor and to be cautious of works that may just be created in the manner of the artist, or those which could be variants of the artists works of art that bear a signature or monogram. In this case as if they were defining the creations of; Giacomo Balla (1871-1958) and studio.

 

  •  Where the name, Giacomo Balla (1871-1958) is given with the first name/s and surname of the artist, usually cited as, Giacomo Balla (1871-1958) including his dates to be specific, then in their qualified and professional opinion, they are in no doubt. It is a genuine and authentic item and one painted by that artist. This is usually fully qualified by its inclusion in any catalogue raissone, or by the guarantee of the opinion given by the appropriate and internationally recognized expert authority on the artist.
  •  When Giacomo Balla (1871-1958) is the term used, or it is similarly defined as 'Attrib. to ' [abbreviated,] or Attribué à, or ascribed to, then in their opinion it is 'probably' a work by the artist, at least in part. But... there is no guarantee. It is only an opinion that it 'possibly' may be by him.
  •  But if the term Giacomo Balla - circle of, entourage, or “Circle of Giacomo Balla ” is specifically used, then in their opinion, it is a work only of the period of the artist, but showing their influence. Or by someone closely associated with the artist, BUT not necessarily by their pupil or student.
  •  When the name is given thus; Painted in the “Style of Giacomo Balla ” or “Follower of Giacomo Balla is used, this means that in their opinion it is a work of art executed only in the artist’s way, their 'style', but not necessarily by a pupil. Yet it may be a contemporary, or nearly a contemporary of the artist.
  •  If the phrase in the “Manner Giacomo Balla is used or is defined….” then in their opinion it is also only a work painted in the style of the artist, but of a later date and definitely not by the artist as named.
  •  When the term “After….Giacomo Balla "; is the term used, then in their opinion it is a copy (made at any date) of an authentic and original work by the artist. This also applies to prints made 'after' an original work of art either by the artist or another artist/ printmaker.
  •  Signed - Giacomo Balla ; “Dated….” or “Inscribed Giacomo Balla ” Then in their opinion the work has been signed/dated/or inscribed by that specific artist. The addition of a question mark ? however, indicates a strong element of doubt.
  •  When the term 'Bears signature', is used or the name, Giacomo Balla is specified followed by the words; "With signature ….”, or “With date ….” or “With inscription….” or “Bears signature of Giacomo Balla /date/or inscription” Then in 'their opinion,' either the signature / date / or inscription is spurious, forged or has been added by someone else other than the artist.

 

We can assist and advise you in all fine art related matters.

 



 

 

 

 

 

SPECIALIST ART AUTHENTICATION LINKS LISTED BY ARTIST

D'AUTHENTIFICATION D'ART PAR ARTISTE

 

 

 

     
APPEL KAREL
BOUVARD  - Famile.
CORNEILLE  Guillaume Beverloo
CROME JOHN
DOU GERRIT
GRIS JUAN
LAM  WILFREDO
MONDRIAN   PIET
PISSARRO CAMILLE
RENOIR PIERRE
SPENLOVE-SPENLOVE FRANK
VAN GOGH VINCENT 
CONYERS BARKER
KLINE FRANZ
PECHSTEIN MAX
MUNNINGS Sir Alfred James
DAUMIER HONORE
EDOUARD MANET

PAUL KLEE

PICASSO USA BRANCUSI  CONSTANTIN
AMOS CASSIOLI
EGON SCHIELE
Pan Tianshou Zao Wou­Ki
YOSHITOMO NARA ANITA MAGSAYSAY-HO
CHEN CHENG-PO
ATSUKO TANAKA
Thomas Sydney Cooper Jackson Pollock
Georges Braque
Andy Warhol
Lucian Freud George Stubbs
Edward Hopper
Jan Gossart
Frederick Edwin Church Edvard Munch
George Romney
James McNeil Whistler
Pieter Brueghel Leonardo Da Vinci
Michelangelo Merisi da Caravaggio
El Greco
George Armfield Mary Cassatt
Cy Twombly
George Morland
Henri Martin Henri Edmond Cross
Pierre Bonnard
Gustave Loiseau
Theo van Rysselburgh Armand Guilllaumin
Emile Bernard
Massimo Campigli
Kees van Dongen Leon de Smet
Victor Brauner
Auguste Herbin
Charles Camoin Moise Kisling
Jean-Pierre Cassigneul
Jean Metzinger
Alfons Walde Alfred Sisley
Andre Lhote
Gustave Caillebotte
Barend Cornelis KOEKKOEK Alfred Stevens
JOAQUÍN SOROLLA
James Ensor
Alexander Archipenko Isaac Israels
Henri Fantin-Latour
Odilon Redon
Hendrik Willem Mesdag Henri Gervex
Paul Sérusier
JAWLENSKI Alexej von
Matthijs Maris Maxime Maufra
John Brett
GRIMSHAW John Atkinson Edward Seago
Jack Butler Yeats
Maximillien Luce
VALADON Suzanne Francis Picabia
Jean Francois Millet
Leon Lhermitte
FLINT Sir William Russell Augustus John
Winston Churchill
Paul Maze
David Cox Snr Myles Birket Foster
Thomas Bush Hardy
Philip Wison Steer
Paul Sandby Edward Lear R.A.
William Henry Hunt
Richard Parkes Bonington
David Roberts RA John Sell Cotman
William Hogarth
John Northcote Nash
Paul Nash John Piper CH
Ben Nicholson
Samuel Peploe
Graham Sutherland Ivon Hitchens
Sir Terry Frost
Dame Laua Knight
J A Park Walter Wm Sickert
Lamorna Birch
Frank Auerbach
William Orpen Robert Bevan
Glyn Philpot
Christopher Wood
Archibald Thorburn William J. Glacken
Helen Allingham
Marcel Dyf
Andreas Schelfhout Anders Zorn
Charles Conder
Edward Ladell

Horatio Henry Couldery

Dorothea Sharp Thomas Blinks
Henry Herbert La Thangue John William Waterhouse
William Henry Margetson
Jean-Léon Gérôme Jasper Johns
Henri Lebasque Louis Valtat
Benjamin Williams Leader Hector Caffierri
Sir Lawrence Alma-Tadema Arthur Wardle
Spencer Gore Sir Robin Philipson
Heywood Hardy Mary Fedden
Joan Mitchell Sigmar Polke
Alexander Calder Helen Frankenthaler
Per Kirkeby John Duncan Fergusson
Roderic O'Coner Giovanni Boldini
Bernardo Bellott Alexander Nasmyth
Giandomenico Tiepolo Francesco Zuccarelli
Francisco de Zurbarán Giovanni Battista Salvi- Sassoferrato
Guido Reni Sir Thomas Lawrence
Peter van de Veld Guido Cagnacci
Nicolas Poussin Claude Lorraine
Ludovico Carracci John Martin
Frans Snyders Pieter Coecke van Aels
Jean-Antoine Watteau Ferdinand Bol
Orazio Gentileschi Bartolomé Esteban Murillo
Marcantonio Franceschini Ramón Casas
Luis Meléndez Giacomo Balla    

 

 

 

 

ART AUTHENTICATION LINKS BY GENRE

LIENS D'AUTHENTIFICATION D'ART PAR GENRE

 
 

OLD  MASTER  ART

Art Ancien

17-18C EUROPEAN ROCOCO ART

17-18C Rococo Européen

EUROPEAN  ART   AUTHENTICATION

Authentification d'art européen

GERMAN  ART   AUTHENTICATION
Authentification de l'art allemand

ALTARPIECE &  PANEL  PAINTINGS

Retable et peintures de panneaux

IMPRESSIONIST   &  MODERN  ART

Art impressionniste et moderne

BRITISH  ART   AUTHENTICATION

Authentification d'art britannique

FRENCH  ART   AUTHENTICATION

Authentification d'art français

SCOTTISH  ART

Authentification de l'art écossais

Art hollandais et flamand

JUDAICA- Jewish Art

Judaica - Authentification de l'art juif

IRISH ART AUTHENTICATION

Authentification d'art irlandais

AMERICAN ART AUTHENTICATION

Authentification d'art américain

RUSSIAN ART AUTHENTICATION

Authentification d'art russe

SPANISH ART

Authentification d'art espagnol

CUBAN ART

Authentification d'art cubain

CANADIAN ART AUTHENTICATION

Authentification d'art canadien

HUNGARIAN ART

Authentification d'art hongrois

NORDIC - SCANDINAVIAN ART

Art nordique et scandinave

ISRAELI  ART

Authentification d'art israélien

MINIATURE PORTRAITS

ITALIAN ART AUTHENTICATION

Authentification d'art italien

CORNISH ART

INTERNATIONAL PORTRAITURE

 


 

 

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Giacomo Balla Expert Authentication and Attribution Investigation || Italian Fine Art International Experts and Painting Specialists || Investigators of Authenticity - Artist Attribution Verification - Provenance Investigation & Art Fraud Investigators


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