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Maximilien Luce Authentication Investigations

 
Enquêteurs d'authentification

Investigadores de autentificación

محققو مصادقة فن كوروت

Ermittler der Kunstauthentifizierung

Maximilien Luce

 

Investigadores de autenticação da Art

Maximilien Luce

Арт Следователи

艺术真实性调查员

Kunsoutentiteit ondersoeker

פיין קונסט אָטאַנטיסיטי ינוועסטאַגייטער

 

Art Authentication and Attribution Investigators

 
 
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Investigating the Authenticity of Paintings and Drawings believed to be by or Attributed to;

Maximilien Luce

1858-1941

French Pointillist Painter

 

 

 Maximilien Luce (B;13 March 1858 – D. 6 February 1941) was a prolific French Neo-impressionist artist, known best for his paintings, illustrations, engravings and graphic art, but also for his political anarchist activism which he shared with artist Camille Pissarro.

Starting work first as an engraver, he then concentrated on painting, working in an Impressionist style, then as a Pointillist and finally returning to Impressionism.

 Maximilien Luce was both a master painter of figures, portraits, landscapes, animated scenes and urban landscapes, but also painted still lifes, especially floral works, domestic scenes, such as bathers and images of welders, rolling mill operators and other French workers. Highly accomplished also as a water-colourist and working in pastels, he was an accomplished engraver, lithographer and an illustrator.

 Maximilien Luce's painting subjects are in general, composed of the daily routines and labours of the simple people of Paris, a subject matter that was chosen because he was born in Montparnasse and grew up in a working class environment.

Luce's works clearly have become valued treasures of today, several topping the million dollar mark at auction internationally.

 However, Luce is often quite poorly imitated, most likely due to the vastly increasing values of his works of art and sadly variations of his paintings often are faked. It may be true to say that there could be works of his that were either lost, mislaid, or have been with families for eons that have never surfaced to date, yet to be documented. But it has to be said, some of the Maximilien Luce works that do appear on the open market are either misattributed to his hand, mistakenly or more commonly, deliberately.

 Easily falsified, by the inclusion of a copied signature or a monogram, placed on a work of art of a similar type, style, or subject matter to his own paintings, or one applied to a previously unsigned or lesser work. Even a student of the arts emulated effort, (where an original signature has been deleted,) it is no wonder that question marks can and do, often arise about the authenticity of some Maximilien Luce paintings.

 We are international fine art consultants, specializing in conducting full investigations into the authenticity of works of art created by artists in all categories, all regions and from historical eras, alongside scrutinizing their provenance. Confidentially serving both private individuals and corporate clients from around the world for over 45 years, we can assist and advise you in all fine art related matters, particularly issues of authenticity, legitimacy and the attribution of old and modern master works of art. Including the fine works of Maximilien Luce, his circle, or any paintings or works of art that you are unsure about.

Some examples of Luces' works signed with that name, appear below.

 

 

     

Maximilien Luce (1858-1941)

SAINT-TROPEZ signed Luce

and dated 92 (lower left) oil on canvas.

US $ 1,421,167.00

Maximilien Luce Notre-Dame de Paris
signed and dated 'Luce 1900' (lower left)
oil on canvas USD $ 4,226,500.00
Maximilien Luce (1858-1941) Une Cuisine
signed 'Luce' (lower right)
oil on canvas

USD $ 1,002,500.00

   
     
Maximilien LUCE (Paris, 1858 - Paris, 1941) ACCOLAY, LES JOUTES, circa 1906-1907 Huile sur carton signé en bas à gauche "Luce" "ACCOLAY, LES JOUTES"; OIL ON CARDBOARD;
US $16,884.00

Maximilien Luce - Rue à Paris
Maximilien Luce (1858-1941) Rue à Paris signed 'Luce' oil on paper laid down on canvas

US $ 89,250.00

Maximilien Luce . Pavots dans un pot de grès Poppies in a stoneware jar signed and dated 'Luce 1906' oil on canvas US $47,667.00 ,
 
     

Maximilien Luce Arrivée à Longchamp c1930 oil on paper laid on canvas Estimate: €6,000 - €8,000

MAXIMILIAN LUCE TWO WOMEN AFTER THE BATH, CIRCA 1935 - 1938 Oil on double sided panel
Signed lower left Estimate: €3,500 - €5,000

MAXIMILIEN LUCE FRENCH Vase de Fleurs, oil on board, signed lower right Estimate: $6,000 - $9,000

NS
 
     
Maximilien LUCE – PORT DE ROTTERDAM, vers 1908 Pastel signé Estimate: €3,500 - €4,000

Maximilien Luce (1858-1941) Houses
Pencil drawing – dessin à la mine de plomb – signed

Estimate: €400 - €600

Maximilien Luce Charleroi signé 'Luce' (en bas à droite), situé 'Charleroi' (en bas à gauche) pastel et fusain sur papier bleu  US $9,106.00


 

 

Fine Art Authentication

 

  Both the duration and direction of any attribution or investigation of authenticity will always vary from project to project, but there are clear and well defined professional formalities, responsibilities and areas of scrutiny that we can assist you with including:

 

Authentication: Authentification: Conducting and directing comprehensive investigations and in depth research, with a view to establishing a correct, full and formally recognized certification of a work of art. One that is absolutely upheld by the appropriate, legally acknowledged and internationally sanctioned authority, body or expert on that given artist.

Directing detailed and complicated inquiries with multilingual, international academic research and any forensic applications that are required.

 

 Attribution:  Identifying and confirming the identity of a previously anonymous artist, studio or workshop from which a work of art most likely originated. Including the re-examination and investigation of a previous attribution which may be incorrect, or the scrutiny of an attribution that has been formally questioned or doubted.

 

 Confirmation:  Undertaking research and investigations into the legitimacy of the provenance, history and prior ownership of a work of art and establishing its own accuracy.


 Scrutiny: Examen minutieux: Identifying fake works of art and forgeries, including any false supportive accompanying documentation and determining works of art which may be studio or later copies, or previous incorrect attributions.

 Prosecution: Poursuite: Investigating alleged art fraud and forgery and assisting and advising those who are , or may be considering litigating or prosecuting the fact. This includes legal professionals and private clients.

 Attention:  Conducting all fine art related due diligence and duty of care inquiries. Including safe prepurchase or sale related audits and assisting clients in consolidating a well balanced future family distribution.

 

 Appraisal: Évaluation - Valuations, quality and condition reports.

 

 

 

 

 

Step one in the Art Authentication and Attribution process.

The Pre-Authentication Assessment

 

    Sensibly, before you begin any art authenticity, legitimacy, or any artist attribution investigation, it is more than wise to have an impartial preliminary assessment of the viability of the project conducted first. Made to independently and rationally balance any negative issues there may be against the positive elements. Treat this study as your safety net.

 We will be happy to professionally undertake this for you, based upon good quality images that you supply and all the known facts regarding its acquisition, the history and provenance of the work of art as is known to you.

You will then have a far better understanding of the prospects and pitfalls that could lie ahead.

See our FAQ's for details of the process

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We will respond to you promptly.

 

 

  Avant d'entreprendre une enquête sur l'authenticité d'une œuvre d'art ou l'attribution d'un artiste, il est plus que prudent de procéder à une évaluation impartiale de sa faisabilité. Ceci est fait pour équilibrer indépendamment tous les problèmes négatifs qui peuvent exister contre le positif.

Nous serons heureux d'entreprendre cette étude d'une manière professionnelle pour vous que nous considérons comme votre principal filet de sécurité.
Il sera basé sur les images que vous fournissez et tous les faits connus concernant votre acquisition, son passé et la provenance de l'œuvre telle que vous la connaissez. Vous aurez alors une meilleure compréhension des perspectives et des difficultés éventuelles à venir, avant de prendre une décision.

 

 

 Spanish flag Antes de embarcarse en cualquier investigación de autenticidad artística o atribución de artista, es más que prudente realizar primero una evaluación imparcial de su viabilidad. Esto se hace para equilibrar independientemente cualquier problema negativo que pueda haber contra el positivo.

Nos complace emprender profesionalmente ese estudio para usted, que consideramos su red de seguridad. Se basará en las imágenes que usted suministre y todos los hechos conocidos con respecto a su adquisición, historia pasada y procedencia del trabajo tal como lo conoce.

Entonces tendrá una mejor comprensión.

 


 

 

 

ABOUT PAINTING DESCRIPTORS AND TERMINOLOGY

 

 

  It is important to understand the auction terms used in any published descriptor and to be cautious of works that may just be painted in the style or manner of the artist, or even the stylized - would be copies of his works which happen to bear a signature or monogram. In this case the paintings and drawings of Maximilien Luce (1858-1941)

 

 Were the name Maximilien Luce (1858-1941) given with the first name/s and surname of the artist, then in their professional opinion it is the genuine and authentic item, one painted by the artist himself, Maximilien Luce (1858-1941) .

When Attributed to Maximilien Luce is used, then in their opinion it is 'probably' a work by the artist, at least in part. But there is no guarantee. It's only an opinion.

 When Maximilien Luce (1858-1941) ; “Studio of ….” or “Workshop of Maximilien Luce (1858-1941) or "atelier" is used, this means that in their opinion it is a work executed in the studio of the artist. Possibly by an apprentice or even a pupil under the principal artists supervision.

 But if the term Maximilien Luce, or “Circle of Maximilien Luce” is used, then in their opinion, it is a work of the period of the artist and showing his influence, or closely associated with the artist, BUT not necessarily by his pupil or student.

 When the name Maximilien Luce is given; or Painted in the “Style of Maximilien Luce” or “Follower of Maximilien Luce is used, this means that in their opinion it is a work of art executed only in the artist’s 'style', but not necessarily by a pupil. But it may be contemporary, or nearly contemporary of the artist.

 If the phrase in the “Manner of Maximilien Luce, is used it is defined….” Then in their opinion it's a work painted in the style of the artist but of a later date and definitely not by the artist himself.

 When the term “After….” Maximilien Luce ; is the term, then in their opinion it is a copy (made at any date) of an authentic and original work by the artist. This also applies to prints made 'after' an original..

Maximilien Luce; “Signed…”, “Dated….” or “Inscribed Maximilien Luce” Then in their opinion the work has been signed/dated/or inscribed by that specific artist. The addition of a question mark however, indicates a strong element of doubt.

 When the term Maximilien Luce is used followed by the words; "With signature ….”, or “With date ….” or “With inscription….” or “Bears signature Maximilien Luce /date/or inscription” Then in their opinion, the signature / date / or inscription is spurious, forged or has been added by someone else other than the artist.

 

We can assist and advise you in all fine art related matters.

 



 

 

 

 

 

SPECIALIST ART AUTHENTICATION LINKS LISTED BY ARTIST

D'AUTHENTIFICATION D'ART PAR ARTISTE

 

 

 

     
APPEL KAREL
BOUVARD  - Famile.
CORNEILLE  Guillaume Beverloo
CROME JOHN
DOU GERRIT
GRIS JUAN
LAM  WILFREDO
MONDRIAN   PIET
PISSARRO CAMILLE
RENOIR PIERRE
SPENLOVE-SPENLOVE FRANK
VAN GOGH VINCENT 
CONYERS BARKER
KLINE FRANZ
PECHSTEIN MAX
MUNNINGS Sir Alfred James
DAUMIER HONORE
EDOUARD MANET

PAUL KLEE

PICASSO USA BRANCUSI  CONSTANTIN
AMOS CASSIOLI
EGON SCHIELE
Pan Tianshou Zao Wou­Ki
YOSHITOMO NARA ANITA MAGSAYSAY-HO
CHEN CHENG-PO
ATSUKO TANAKA
Thomas Sydney Cooper Jackson Pollock
Georges Braque
Andy Warhol
Lucian Freud George Stubbs
Edward Hopper
Jan Gossart
Frederick Edwin Church Edvard Munch
George Romney
James McNeil Whistler
Pieter Brueghel Leonardo Da Vinci
Michelangelo Merisi da Caravaggio
El Greco
George Armfield Mary Cassatt
Cy Twombly
George Morland
Henri Martin Henri Edmond Cross
Pierre Bonnard
Gustave Loiseau
Theo van Rysselburgh Armand Guilllaumin
Emile Bernard
Massimo Campigli
Kees van Dongen Leon de Smet
Victor Brauner
Auguste Herbin
Charles Camoin Moise Kisling
Jean-Pierre Cassigneul
Jean Metzinger
Alfons Walde Alfred Sisley
Andre Lhote
Gustave Caillebotte
Barend Cornelis KOEKKOEK Alfred Stevens
JOAQUÍN SOROLLA
James Ensor
Alexander Archipenko Isaac Israels
Henri Fantin-Latour
Odilon Redon
Hendrik Willem Mesdag Henri Gervex
Paul Sérusier
JAWLENSKI Alexej von
Matthijs Maris Maxime Maufra
John Brett
GRIMSHAW John Atkinson Edward Seago
Jack Butler Yeats
Maximilien Luce
VALADON Suzanne      
 

 

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Authentification d'art italien

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INTERNATIONAL PORTRAITURE

 

     

       

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Maximilien Luce Expert International Art Authentication Investigators | Fake French Painting & Forgery Detection | Expertise Attributions Impressionist oils, authenticity, watercolours, Landscapes, portraits, still lives. Florals, pastels

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Maximilien Luce Expert, International Art Authentication Investigations, Alexej Jawlensky art forgery and fake art detection, A Jawlensky paintings studio attribution painting, oil, portrait , abstract