José de Ribera Expert International Art Authentication Investigations Experts , Italian art- forgery and fake art detection, paintings studio attribution portrait, painting, pastel, watercolour, oil, landscape,drawing.

 

José de Ribera & Studio

Authentication Investigations

 
Enquêteurs d'authentification

Investigadores de autentificación

محققو مصادقة فن كوروت

Ermittler der Kunstauthentifizierung

José de Ribera

ART AUTHENTICATION AND ATTRIBUTIONS

 

Investigadores de autenticação da Art

José de Ribera + Workshop

Арт Следователи

艺术真实性调查员

Kunsoutentiteit ondersoeker

פיין קונסט אָטאַנטיסיטי ינוועסטאַגייטער

 
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INTERNATIONAL  FINE  ART  CONSULTANTS  -  ART  AUTHENTICATION   INVESTIGATIONS AND   RESEARCH   EXPERTS 

ARTIST  ATTRIBUTION  ANALYSTS  -   HISTORY AND PROVENANCE  VERIFICATION   -  FAKE AND   FORGERY  DETECTION 

ART  FRAUD  INVESTIGATORS  -  DUE DILIGENCE  SCRUTINY   -  ACQUISITION  AND  FINE ART ASSET MANAGEMENT 

EXPERTS INVESTIGATEURS INTERNATIONAUX EN AUTHENTICITÉ DES BEAUX-ARTS - ARTISTES ATTRIBUTION LEGITIMACY CONSULTATIONS

 

EXPERTS INVESTIGATEURS INTERNATIONAUX EN AUTHENTICITÉ DES BEAUX-ARTS - ARTISTES ATTRIBUTION LEGITIMACY CONSULTATIONS

ESPERTI INTERNAZIONALI INDAGINI SULL'AUTENTICAZIONE DELL'ARTE FINE - ATTRIBUZIONE DELL'ARTISTA E RICHIESTE DI LEGITTIMITÀ RICERCATORI SPECIALI DELL'ARTE FINE -

SERVIZI DI VERIFICA DELLA PROVENIENZA - RILEVAMENTO DI FALSI E FORGERIA DUE DILIGENCE SCRUTINY - ACQUISIZIONE E GESTIONE DEL PATRIMONIO FINE ART

 

 

 

 

 

Investigating the Authenticity and Attribution of works of art believed to be by

Jusepe de Ribera, lo Spagnoletto

"The Little Spaniard"

(Játiva 1591-1652 Naples)

 

 

 In general one could say of his art that Ribera's output combined sound knowledge of the Carracci and Caravaggio styles with pure Spanish realism and obvious fast, vigorous and scratchy brushwork  is evident. But he was also precise in his anatomical depictions and used local working-class models, which were mainly male for his compositions.

His incredibly large output consisted in the main of religious orientated works, with many showing harrowing scenes of sainted martyrdom and he was notorious as an artist for his gruesomeness.  This was the the foundation stone for the Neapolitan painting tradition which they loved, earning it the title of "the poetry of the repulsive."

 In recent years an increasing number of important works aligned to his name and certainly that of his studio, have been sold at auctions across the world and not surprisingly at exceptionally high prices. So as the values of works of art created by him continue to escalate, there is also a greater need for caution and for confirmation of their legitimacy, if only to establish the correctness of a previously given attribution, or a given descriptor of one being offered for sale.

* * *

 As an international specialist fine art consultancy, bases in the UK and Europe, we have been confidentially serving both private individuals and corporate clients around the world for over 45 years. Investigating both single works of art and complete collections and conducting in-depth legitimacy inquiries, full academic and forensic investigations and multilingual archival research into the origins of all old and modern master works of art from different geographical regions and periods. We also scrutinize and research provenance and lineage.

 We can assist and advise you in all fine art related matters, particularly issues of authenticity and attribution, including the works of

Jusepe de  Ribera, his circle, his workshop or followers, or any works of art that you are unsure about.

Some example works of art appear below as illustrations.

Note: No inference is made, nor is it intended as to the question of legitimacy. Moreover these are an across the board representational view of the differing types of works that are and may be offered and advertised for sale at auction internationally.

 

 

     
Jusepe de Ribera, lo Spagnoletto (Játiva, Valencia 1591-1652 Naples) The Martyrdom of Saint Lawrence oil on canvas  Price realised: £1,352,000 US$2,654,887.00

Jusepe de Ribera, called Lo Spagnoletto

JÁTIVA, VALENCIA 1591 - 1652 NAPLES SAINT

ONOPHRIUS signed and dated center right

Jusepe de Ribera, espagnol, F. 1643 oil on canvas

US $1,426,500.00

Follower of Jusepe de Ribera, called Lo Spagnoletto SAINT ANDREW oil on canvas

SOLD £22,500.00  . US$33,460

 
     
Studio of Jusepe de Ribera, called Lo Spagnoletto JÁTIVA, VALENCIA 1591 - 1652 NAPLES SAINT PETER oil on canvas, unframed 96.5 by 80.5 cm.; 38 by 31 2/3 in... £18,750.00   US$30,720.00

Jusepe de Ribera, il Spagnoletto

(Játiva 1591-1652 Naples) Head of a bearded

man, looking to the left red chalk

Est Price: US$12,000 - US$18,000

Price realised: US $26,400.00

ATTRIBUTED TO JOSÉ DE RIBERA 1591-1652 “San Francisco de Paula” Oil on canvas

Estimate: €4,000 - €6,000

 

 

 
     

Follower of Jusepe di Ribera (1591-1652)

Head of a man, possibly an Apostle
Oil on canvas Bears later attribution to Michelangelo Merisi da Caravaggio on reverse Estimate: £1,500 - £2,000

17th Century Spanish Apostle Oil Painting

school of Jusepe Ribera (Spanish, 1591-1652)

Old Master, 17th Century or later Portrait of an

Apostle, Prophet Oil
Estimate: $2,000 - $4,000

 

 

WORKSHOP OF JOSÉ DE RIBERA - ESCUELA VALENCIANA SIGLO XVII Taller de José de Ribera (Játiva, 1591-Nápoles, 1652). “San Juanito”, óleo sobre lienzo,  SOLD 4.500 €
 
     
Spanish School, 19th Century "Saint Bartholomew" Copy of José de Ribera (1591 - 1652) Oil on canvas 500 - 600 €

Jusepe de Ribera, called lo Spagnoletto
JÁTIVA, VALENCIA 1591 - 1652 NAPLES
A GIRL WITH A TAMBOURINE (THE SENSE OF HEARING)signed and dated centre right: Jusepe

de Ribera/ español F. 1637oil on canvas

SOLD. £5,743,000 GBP

North Italian School, circa 1600 AN OLD WOMAN AND A CHILD, POSSIBLY AN ALLEGORY OF WISDOM AND IGNORANCE bears signature and date lower right: Jusepe de Ribera / Espanol F. 1640.oil on canvas SOLD. $17,500 USD

 

 

 

 

 

 

Fine Art Authentication

 

   The duration and the direction of any authenticity investigation or into an attribution of a work of art will inevitably vary from project to project. But there are clear and very well defined professional formalities, responsibilities and areas of scrutiny that we can formally assist you with, including:

 

  • Authentication: Authentification:   Conducting comprehensive investigations and in depth research into a work of art with a view to establishing a correct, complete and formally recognized certification. One absolutely upheld by the appropriate, legally acknowledged and internationally sanctioned authority, body or expert on that given artist. Directing detailed and complicated inquiries, with multilingual capability, including any international academic research and forensic applications that are required.

 

  •  Attribution:  Identifying and confirming the identity of a previously anonymous artist, studio or workshop from which a work of art most likely originated. Including the re-examination and investigation of a previous attribution which may be incorrect, or the scrutiny of an attribution that has been formally questioned or is currently doubted.

 

  •  Confirmation:  Undertaking research and investigations into the legitimacy of the provenance, history and prior ownership of a work of art and establishing its accuracy and legitimacy.

  •  Scrutiny: Examen minutieux:Identifying fake or faux works of art and forgeries, including any false supportive accompanying documentation and determining works of art which may be studio or later copies, or previously given incorrect attributions.

  •  Prosecution: Poursuite: Investigating alleged art fraud and forgery and assisting and advising those who are currently , or may be considering litigating or prosecuting the fact. This includes colleagues who are legal professionals and individual private clients.

  •  Attention:  Conducting all fine art related due diligence and duty of care inquiries. Including safe prepurchase or sale related audits and assisting clients in consolidating a well balanced future family distribution.

 

  •  Appraisal: Évaluation - Valuations and condition reports.

 

 

 

 

 

 

 

 

Step one in the Art Authentication and Attribution process.

The Pre-Authentication Assessment

   L'évaluation de pré-authentification. La evaluación previa a la autenticación

 

 

 We strongly advise clients before embarking on a full investigation of legitimacy or an artist attribution study, that it is wise to have an impartial preliminary assessment conducted first. One made to consider and balance any issues that may be present that could make the longer term exercise unviable.

 This is a professional advisory service we offer, based upon the images you supply, the full details of work of arts acquisition, its history and provenance as is known to you, along with sight of any documentation, previous research or analysis that you may have had formerly conducted.

You should then have a far better understanding of both the prospects or any pitfalls we may face, before making a decision. This is a logical and cost effective professional review for which there is a modest set fee.

 

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We will respond to you promptly.

 

 

 

  Avant d'entreprendre une enquête sur l'authenticité d'une œuvre d'art ou l'attribution d'un artiste, il est plus que prudent de procéder à une évaluation impartiale de sa faisabilité. Ceci est fait pour équilibrer indépendamment tous les problèmes négatifs qui peuvent exister contre le positif.

Nous serons heureux d'entreprendre cette étude d'une manière professionnelle pour vous que nous considérons comme votre principal filet de sécurité.
Il sera basé sur les images que vous fournissez et tous les faits connus concernant votre acquisition, son passé et la provenance de l'œuvre telle que vous la connaissez.
Vous aurez alors une meilleure compréhension des perspectives et des difficultés éventuelles à venir, avant de prendre une décision.

 

 

 Spanish flag Antes de embarcarse en cualquier investigación de autenticidad artística o atribución de artista, es más que prudente realizar primero una evaluación imparcial de su viabilidad. Esto se hace para equilibrar independientemente cualquier problema negativo que pueda haber contra el positivo.

Nos complace emprender profesionalmente ese estudio para usted, que consideramos su red de seguridad. Se basará en las imágenes que usted suministre y todos los hechos conocidos con respecto a su adquisición, historia pasada y procedencia del trabajo tal como lo conoce.

Entonces tendrá una mejor comprensión.

 


 

 

 

ABOUT A WORK OF ART DESCRIPTOR AND TERMINOLOGY

 

  *It is important to very clearly understand the auction terms that are commonly used in any published descriptor and to be cautious of works that may just be created in the manner of the artist, or those which could be variants of the artists works of art that bear a signature or monogram. In this case as if they were defining the works of art of the Spanish artist José de Ribera and his studio.

 

  •  Where the name, José de Ribera is given with the first name/s and surname of the artist, usually cited as José de Ribera, including his dates to be specific, then in their qualified and professional opinion, they are in no doubt. It is a genuine and authentic item and one painted by that artist. This is usually fully qualified by its inclusion in any catalogue raissone, or by the guarantee of the opinion given by the appropriate and internationally recognized expert authority on the artist.
  •  When Attributed to José de Ribera is used, or it is similarly defined as 'Attrib. to ' [abbreviated,] or Attribué à, or ascribed to, then in their opinion it is 'probably' a work by the artist, at least in part. But... there is no guarantee. It is only an opinion that it 'possibly' may be by him..
  •  But if the term José de Ribera- circle of, entourage, or “Circle of José de Ribera” is specifically used, then in their opinion, it is a work only of the period of the artist, but showing their influence. Or by someone closely associated with the artist, BUT not necessarily by their pupil or student.
  •  When the name is given thus; Painted in the “Style of José de Ribera” or “Follower of José de Ribera is used, this means that in their opinion it is a work of art executed only in the artist’s way, their 'style', but not necessarily by a pupil. Yet it may be a contemporary, or nearly a contemporary of the artist.
  •  If the phrase in the “Manner of José de Ribera is used or is defined….” then in their opinion it is also only a work painted in the style of the artist, but of a later date and definitely not by the artist as named.
  •  When the term “After….José de Ribera"; is the term used, then in their opinion it is a copy (made at any date) of an authentic and original work by the artist. This also applies to prints made 'after' an original work of art either by the artist or another artist/ printmaker.
  •  Signed - José de Ribera; “Dated….” or “Inscribed José de Ribera” Then in their opinion the work has been signed/dated/or inscribed by that specific artist. The addition of a question mark ? however, indicates a strong element of doubt.
  •  When the term 'bears signature', is used or the name, José de Ribera is specified followed by the words; "With signature ….”, or “With date ….” or “With inscription….” or “Bears signature of José de Ribera/date/or inscription” Then in 'their opinion,' either the signature / date / or inscription is spurious, forged or has been added by someone else other than the artist.

 

We can assist and advise you in all fine art related matters.

 



 

 

 

 

 

SPECIALIST ART AUTHENTICATION LINKS LISTED BY ARTIST

D'AUTHENTIFICATION D'ART PAR ARTISTE

 

 

 

     
APPEL KAREL
BOUVARD  - Famile.
CORNEILLE  Guillaume Beverloo
CROME JOHN
DOU GERRIT
GRIS JUAN
LAM  WILFREDO
MONDRIAN   PIET
PISSARRO CAMILLE
RENOIR PIERRE
SPENLOVE-SPENLOVE FRANK
VAN GOGH VINCENT 
CONYERS BARKER
KLINE FRANZ
PECHSTEIN MAX
MUNNINGS Sir Alfred James
DAUMIER HONORE
EDOUARD MANET

PAUL KLEE

PICASSO USA BRANCUSI  CONSTANTIN
AMOS CASSIOLI
EGON SCHIELE
Pan Tianshou Zao Wou­Ki
YOSHITOMO NARA ANITA MAGSAYSAY-HO
CHEN CHENG-PO
ATSUKO TANAKA
Thomas Sydney Cooper Jackson Pollock
Georges Braque
Andy Warhol
Lucian Freud George Stubbs
Edward Hopper
Jan Gossart
Frederick Edwin Church Edvard Munch
George Romney
James McNeil Whistler
Pieter Brueghel Leonardo Da Vinci
Michelangelo Merisi da Caravaggio
El Greco
George Armfield Mary Cassatt
Cy Twombly
George Morland
Henri Martin Henri Edmond Cross
Pierre Bonnard
Gustave Loiseau
Theo van Rysselburgh Armand Guilllaumin
Emile Bernard
Massimo Campigli
Kees van Dongen Leon de Smet
Victor Brauner
Auguste Herbin
Charles Camoin Moise Kisling
Jean-Pierre Cassigneul
Jean Metzinger
Alfons Walde Alfred Sisley
Andre Lhote
Gustave Caillebotte
Barend Cornelis KOEKKOEK Alfred Stevens
JOAQUÍN SOROLLA
James Ensor
Alexander Archipenko Isaac Israels
Henri Fantin-Latour
Odilon Redon
Hendrik Willem Mesdag Henri Gervex
Paul Sérusier
JAWLENSKI Alexej von
Matthijs Maris Maxime Maufra
John Brett
GRIMSHAW John Atkinson Edward Seago
Jack Butler Yeats
Maximillien Luce
VALADON Suzanne Francis Picabia
Jean Francois Millet
Leon Lhermitte
FLINT Sir William Russell Augustus John
Winston Churchill
Paul Maze
David Cox Snr Myles Birket Foster
Thomas Bush Hardy
Philip Wison Steer
Paul Sandby Edward Lear R.A.
William Henry Hunt
Richard Parkes Bonington
David Roberts RA John Sell Cotman
William Hogarth
John Northcote Nash
Paul Nash John Piper CH
Ben Nicholson
Samuel Peploe
Graham Sutherland Ivon Hitchens
Sir Terry Frost
Dame Laua Knight
J A Park Walter Wm Sickert
Lamorna Birch
Frank Auerbach
William Orpen Robert Bevan
Glyn Philpot
Christopher Wood
Archibald Thorburn William J. Glacken
Helen Allingham
Marcel Dyf
Andreas Schelfhout Anders Zorn
Charles Conder
Edward Ladell

Horatio Henry Couldery

Dorothea Sharp Thomas Blinks
Henry Herbert La Thangue John William Waterhouse
William Henry Margetson
Jean-Léon Gérôme Jasper Johns
Henri Lebasque Louis Valtat
Benjamin Williams Leader Hector Caffierri
Sir Lawrence Alma-Tadema Arthur Wardle
Spencer Gore Sir Robin Philipson
Heywood Hardy Mary Fedden
Joan Mitchell Sigmar Polke
Alexander Calder Helen Frankenthaler
Per Kirkeby John Duncan Fergusson
Roderic O'Coner Giovanni Boldini
Bernardo Bellott Alexander Nasmyth
Giandomenico Tiepolo Francesco Zuccarelli
Francisco de Zurbarán Giovanni Battista Salvi- Sassoferrato

 

 

 

ART AUTHENTICATION LINKS BY GENRE

 
 

OLD  MASTER  ART

Art Ancien

17-18C EUROPEAN ROCOCO ART

17-18C Rococo Européen

EUROPEAN  ART   AUTHENTICATION

Authentification d'art européen

GERMAN  ART   AUTHENTICATION
Authentification de l'art allemand

ALTARPIECE &  PANEL  PAINTINGS

Retable et peintures de panneaux

IMPRESSIONIST   &  MODERN  ART

Art impressionniste et moderne

BRITISH  ART   AUTHENTICATION

Authentification d'art britannique

FRENCH  ART   AUTHENTICATION

Authentification d'art français

SCOTTISH  ART

Authentification de l'art écossais

Art hollandais et flamand

JUDAICA- Jewish Art

Judaica - Authentification de l'art juif

IRISH ART AUTHENTICATION

Authentification d'art irlandais

AMERICAN ART AUTHENTICATION

Authentification d'art américain

RUSSIAN ART AUTHENTICATION

Authentification d'art russe

SPANISH ART

Authentification d'art espagnol

CUBAN ART

Authentification d'art cubain

CANADIAN ART AUTHENTICATION

Authentification d'art canadien

HUNGARIAN ART

Authentification d'art hongrois

NORDIC - SCANDINAVIAN ART

Art nordique et scandinave

ISRAELI  ART

Authentification d'art israélien

MINIATURE PORTRAITS

ITALIAN ART AUTHENTICATION

Authentification d'art italien

CORNISH ART

INTERNATIONAL PORTRAITURE

 


 

 

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José de Ribera & Workshop Authentication & Attribution Investigation Experts | International Fine Art Experts -Spanish School Old Master Painting Specialists - Investigators of Authenticity | Artist Attribution Verification - Provenance Investigation & Art Fraud Investigators

 

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José de Ribera & Studio Authentication & Attribution Investigations - Expert Old Master Fine Art Investigators & Researchers. Fake & Forgery detection - Provenance Verification Services and Art Fraud Investigation.