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AUTHENTICATION INVESTIGATIONS Enquêteurs d'authentification Investigadores de autentificación Especialistas em autenticação de belas artes محققو المصادقة الفنية |
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THOMAS GAINSBOROUGH AUTHENTICATION INVESTIGATIONS Enquêteurs d'authentification Investigadores de autentificación Especialistas em autenticação de belas artes محققو المصادقة الفنية |
Thomas Gainsborough Art Authenticity Investigation |
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Expert in the Fine Art of Authentication - Expert de l'oeurede Gainsborough and the Old Masters FREEMANART INTERNATIONAL FINE ART CONSULTANTS - ART AUTHENTICATION INVESTIGATION & RESEARCH EXPERTS ARTIST ATTRIBUTION ANALYSTS - PROVENANCE VERIFICATION - FAKE AND FORGERY DETECTION - ART FRAUD INVESTIGATORS DUE DILGENCE SCRUTINY - ACQUISITION & FINE ART ASSET MANAGEMENT
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Authentication and Attribution Investigations into Paintings and Drawings believed to be by Thomas Gainsborough
STEP ONE IN THE AUTHENTICATION INVESTIGATION PROCESS
Before entering into a full investigation of legitimacy of any work of art, it is essential to consider the viability of the project in a balanced and clear way. With that in mind, we prefer to conduct a professional assessment of the merits of the work in question first.
This is an important primary study made at the start of the authentication process, based upon your images you supply, the details of the work of arts acquisition, its history and provenance as is known to you and any previous research that you may have already conducted. You will then be in a much better position to decide if the project is worthwhile pursuing further. This is a logical and cost effective
professional assessment for which there is a modest set fee.
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We will respond to you promptly.
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One interesting example of a Thomas Gainsborough fake, is told through an international investigation we conducted into an alleged Thomas Gainsborough oil landscape. This is one time where the would be faker made some pretty basic errors of judgement.
^Fake Gainsborough signature |
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Thomas Gainsborough (1727- 88) Or is it?
CASE STUDY:
Most will know that Thomas Gainsborough was a famous English painter of noble portraits, landscapes and what was called 'fancy' pictures. The painting Blue Boy for instance, which is known the world over is one of his masterpieces. Clearly Gainsborough was one of the most individual geniuses in British art history and a founder member of the prestigious Royal Academy, both a successful and a very wealthy man. The painting above, is what was truly believed by its owner to be a legitimate and authentic Gainsborough landscape painting. An oil on canvas of figures on a mountain track by a stream. And indeed, why should it not be believed to be original, it had been in the family over a century. It's a typically 'Gainsborough-esque' landscape and one backed up with long term provenance and it is signed after all. The so called 'Gainsborough' painting had been cleaned and restored, but the conservator was reticent to clean the signature area, for fear of damaging it. So the discoloured old varnish can still be seen covering it. Obviously it's been there for a very long time. |
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Now take a much closer look at the signature (above right) and you will very clearly see pencil lines appearing underneath the painted letters, T - G and the 'a' of the name. And as we said, that varnish has been there a very, very long time. But ask yourself, what sort of artist signs a painting first in pencil and then goes over it with paint? The answer is obvious. Someone who is copying another example of a signature and putting it onto a painting as a new signature. Thus making it now something much more special, much more important and valuable than it started out, simply by adding the name Gainsborough to it. And all this happened over a century ago! |
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We think that the painting could well have started life as an unsigned landscape by noted Gainsborough emulator and follower Thomas Barker of Bath and was picked up cheaply at auction at the turn of the 19th Century. It then found its way into league division one with the inclusion of Gainsborough's falsely copied signature.
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Right Legitimate Gainsborough - View Outside Sudbury Thomas Gainsborough, mid 1740s Private Collection / Credit Photo © Philip Mould Ltd, London / The Bridgeman Art Library |
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ART AUTHENTICATION EXPERTISE BY ARTIST
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| APPEL KAREL | BRANCUSI CONSTANTIN |
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| BOUVARD - Famile. | |||
| CORNEILLE Guillaume Beverloo | |||
| CROME JOHN | |||
| DOU GERRIT | |||
| GRIS JUAN | |||
| LAM WILFREDO | |||
| MATISSE HENRI | |||
| MONDRIAN PIET | |||
| PISSARRO CAMILLE | |||
| RENOIR PIERRE | |||
| SPENLOVE-SPENLOVE FRANK | |||
| VAN GOGH VINCENT | |||
| CONYERS BARKER | |||
| KLINE FRANZ | |||
| PECHSTEIN MAX | |||
| MUNNINGS Sir Alfred James | |||
| DAUMIER HONORE | |||
| EDOUARD MANET | |||
| PAUL KLEE | |||
| AMOS CASSIOLI | |||
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