Giovanni Domenico Tiepolo Expert International Art Authentication Investigations Experts , Italian a t- forgery and fake art detection, paintings studio attribution portrait, painting, pastel, watercolour, oil, landscape, drawing.

 

Giovanni Domenico Giandomenico Tiepolo

Authentication Investigations

 
Enquêteurs d'authentification

Investigadores de autentificación

محققو مصادقة فن كوروت

Ermittler der Kunstauthentifizierung

Giovanni Domenico Tiepolo

Fine Art Authentication Attribution Investigations

 

 

 

Investigadores de autenticação da Art

Giovanni Domenico Tiepolo

Арт Следователи

艺术真实性调查员

Kunsoutentiteit ondersoeker

פיין קונסט אָטאַנטיסיטי ינוועסטאַגייטער

 
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ESPERTI INTERNAZIONALI INDAGINI SULL'AUTENTICAZIONE DELL'ARTE FINE - ATTRIBUZIONE DELL'ARTISTA E RICHIESTE DI LEGITTIMITÀ

RICERCATORI SPECIALI DELL'ARTE FINE - SERVIZI DI VERIFICA DELLA PROVENIENZA - RILEVAMENTO DI FALSI E FORGERIA

DUE DILIGENCE SCRUTINY - ACQUISIZIONE E GESTIONE DEL PATRIMONIO FINE ART

 

 

 

 

Investigating the Authenticity of works of art believed to be by or attributed to


Giovanni Domenico (Giandomenico) Tiepolo

Giovanni Domenico Tiepolo - sig Dom. Tiepolo f.

Venice 1727 - 1804

 

 

 The Italian artist Giandomenico Tiepolo (1727-1804) was one of nine children of the 18th-century Venetian master Giovanni Battista Tiepolo (1696-1770) and spent most of the first half of his life travelling with his father, assisting him with commissions as they travelled across Europe together. His biography has been well recorded by others and it is not necessary to repeat it here.

 But in recent years an increasing number of works associated with his name have been consigned to auctions across the world at exceptional prices. So as the values of works of art created by him continue to escalate, there is also a greater need for caution and for confirmation of their legitimacy and to certainly establish correctness of their attribution or a given descriptor.

 It is fair to say that major works of great quality as he created are well catalogued and are very unlikely to surface, but that does not follow for any lesser works of art that may suddenly appear from out of the mists of time.

But there surely must be many works that have been mistakenly attributed to him and some deliberately so, then others that originated from his workshop, created by his students and apprentices, more from his circle, or just painted by his followers which are actually Italian school works.

 Works that do emerge will require both a comprehensive and thorough investigation of their backgrounds and authenticity to confirm that any previously given attribution is correct and that a description of a work of art which is seemingly by Giovanni Domenico Tiepolo can truly be relied upon.

* * *

 As an international specialist fine art consultancy, based in the UK and Europe, we have been confidentially serving both private individuals and corporate clients around the world for over 45 years. Investigating both single works of art and complete collections and conducting in-depth legitimacy inquiries, full academic and forensic investigations and multilingual archival research into the origins of all old and modern master works of art from different geographical regions and periods. We also scrutinize and research provenance and lineage.

 We can assist and advise you in all fine art related matters, particularly issues of authenticity and attribution, including the works of

Tiepolo, his circle, studio, or followers, or any works of art that you are unsure about.

Some example works of art appear below as illustrations.

Note: No inference is made, nor is it intended as to the question of legitimacy. Moreover they are an across the board representational view of the differing types of works that are and may be offered and advertised for sale at auction internationally.

 

 

 

 

   

 

     
Giandomenico Tiepolo 1727 - 1804
Dancing the Minuet  oil on canvas
Estimate GBP £600,000.00 - GBP £800,000.00
Sold GBP £1,308,500.00
GIOVANNI DOMENICO TIEPOLO 1727 - 1804
Le Christ calmant la tempête
Huile sur toile
Estimate EUR 200,000.00 - EUR 300,000.00
Sold EUR 720,500.00
Giovanni Domenico Tiepolo 1727 - 1804
Punchinello carried off by an eagle
signed ‘Dom.o Tiepolo f’ and numbered, probably by the artist, ‘47’ black chalk, pen and brown ink, brown wash, watermark three crescents (cf. Heawood 867)
Estimate GBP £250,000.00 - GBP £350,000.00
Sold GBP £791,250.00

 
     
Giovanni Tiepolo 1727 - 1804
HEAD OF AN OLD MAN
Estimate USD 60,000.00 — USD 80,000.00
SOLD USD $182,500.00
Gian Domenico Tiepolo (1727-1804)- Attributed, Anaxagoroas, Oil on canvas.

Estimate: €600 - €1,200

Giovanni Domenico Tiepolo 1727 - 1804
Fame with angels and putti with wreaths
signed 'Dom. Tiepolo f'
pen and grey ink, grey wash
Sold USD $20,400.00
 
     

TIEPOLO Giandomenico (1727 - 1804) "La

flagellation Du Christ", sanguine us pa pier

coulee en plain. Soever de Giandomenico

Tiepolo. Ekuele ita lien ne.

The Flagellation of Christ ", sanguine on paper

pasted in full. Follower of Giandomenico Tiepolo. Italian school. Estimate: €300 - €400

GIOVANNI DOMENICO TIEPOLO (1727-1804) Entourage / Circle Character study
Pen and brown ink, brown wash on paper
Small creases. Estimate: €300 - €600

MOTHER AND CHILD WITH CHERUB OIL PAINTING (ITALIAN SCHOOL, 18TH CENTURY) IN THE MANNER

OF GIOVANNI DOMENICO TIEPOLO (ITALIAN, 1727) Estimate: $750 - $1,500

 
     

Giandomenico Tiepolo (1727-1804)-Attributed, Oil study of a religious scene; oil on canvas

Estimate: €600 - €1,200

Giovanni Domenico Tiepolo The Madonna oil

on canvas, oval Sold USD $57,500.00

SCHOOL OF GIOVANNI DOMENICO TIEPOLO (1727-1804) - Late Italian Renaissance Drawing of the Capture of Saints Peter and Paul, sepia ink on laid paper, arched top format

Estimate: $2,000 - $3,000

 

 

 

 

 

 

Fine Art Authentication

 

   The duration and the direction of any authenticity investigation or into an attribution of a work of art will inevitably vary from project to project. But there are clear and very well defined professional formalities, responsibilities and areas of scrutiny that we can formally assist you with, including:

 

 

  • Authentication: Authentification:   Conducting comprehensive investigations and in depth research into a work of art with a view to establishing a correct, complete and formally recognized certification. One absolutely upheld by the appropriate, legally acknowledged and internationally sanctioned authority, body or expert on that given artist. Directing detailed and complicated inquiries, with multilingual capability, including any international academic research and forensic applications that are required.

 

  •  Attribution:  Identifying and confirming the identity of a previously anonymous artist, studio or workshop from which a work of art most likely originated. Including the re-examination and investigation of a previous attribution which may be incorrect, or the scrutiny of an attribution that has been formally questioned or is currently doubted.

 

  •  Confirmation:  Undertaking research and investigations into the legitimacy of the provenance, history and prior ownership of a work of art and establishing its accuracy and legitimacy.

  •  Scrutiny: Examen minutieux:Identifying fake or faux works of art and forgeries, including any false supportive accompanying documentation and determining works of art which may be studio or later copies, or previously given incorrect attributions.

  •  Prosecution: Poursuite: Investigating alleged art fraud and forgery and assisting and advising those who are currently , or may be considering litigating or prosecuting the fact. This includes colleagues who are legal professionals and individual private clients.

  •  Attention:  Conducting all fine art related due diligence and duty of care inquiries. Including safe prepurchase or sale related audits and assisting clients in consolidating a well balanced future family distribution.

 

  •  Appraisal: Évaluation - Valuations and condition reports.

 

 

 

 

 

 

 

 

Step one in the Art Authentication and Attribution process.

The Pre-Authentication Assessment

   L'évaluation de pré-authentification. La evaluación previa a la autenticación

 

 

 We strongly advise clients before embarking on a full investigation of legitimacy or an artist attribution study, that it is wise to have an impartial preliminary assessment conducted first.

One made to consider and balance any issues that may be present that could make the longer term exercise unviable.

This is a professional advisory service we offer, based upon the images you supply, the full details of work of arts acquisition, its history and provenance as is known to you, along with sight of any documentation, previous research or analysis that you may have had formerly conducted.

You should then have a far better understanding of both the prospects or any pitfalls we may face, before making a decision. This is a logical and cost effective professional review for which there is a modest set fee.

 

 

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We will respond to you promptly.

 

 

 

  Avant d'entreprendre une enquête sur l'authenticité d'une œuvre d'art ou l'attribution d'un artiste, il est plus que prudent de procéder à une évaluation impartiale de sa faisabilité. Ceci est fait pour équilibrer indépendamment tous les problèmes négatifs qui peuvent exister contre le positif.

Nous serons heureux d'entreprendre cette étude d'une manière professionnelle pour vous que nous considérons comme votre principal filet de sécurité.
Il sera basé sur les images que vous fournissez et tous les faits connus concernant votre acquisition, son passé et la provenance de l'œuvre telle que vous la connaissez.Vous aurez alors une meilleure compréhension des perspectives et des difficultés éventuelles à venir, avant de prendre une décision.

 

 

 Spanish flag Antes de embarcarse en cualquier investigación de autenticidad artística o atribución de artista, es más que prudente realizar primero una evaluación imparcial de su viabilidad. Esto se hace para equilibrar independientemente cualquier problema negativo que pueda haber contra el positivo.

Nos complace emprender profesionalmente ese estudio para usted, que consideramos su red de seguridad. Se basará en las imágenes que usted suministre y todos los hechos conocidos con respecto a su adquisición, historia pasada y procedencia del trabajo tal como lo conoce.

Entonces tendrá una mejor comprensión.

 


 

 

 

ABOUT A WORK OF ART DESCRIPTOR AND TERMINOLOGY

 

 

  *It is important to very clearly understand the auction terms that are commonly used in any published descriptor and to be cautious of works that may just be created in the manner of the artist, or those which could be variants of the artists works of art that bear a signature or monogram. In this case as if they were defining the creations of the Italian artist Giovanni Domenico Tiepolo .

 

  •  Where the name, Giovanni Domenico Tiepolo (Venice 1727 - 1804) is given with the first name/s and surname of the artist, usually cited as Giovanni Domenico Tiepolo including his dates to be specific, then in their qualified and professional opinion, they are in no doubt. It is a genuine and authentic item and one painted by that artist. This is usually fully qualified by its inclusion in any catalogue raissone, or by the guarantee of the opinion given by the appropriate and internationally recognized expert authority on the artist.
  •  When Attributed to Giovanni Domenico Tiepolo is used, or it is similarly defined as 'ascribed to' or 'Attrib. to ' [abbreviated,] or Attribué à, or ascribed to, then in their opinion it is 'probably' a work by the artist, at least in part. But... there is no guarantee. It is only an opinion that it 'possibly' may be by him..
  •  But if the term Giovanni Domenico Tiepolo - circle of, entourage, or “Circle of Giovanni Domenico Tiepolo ” is specifically used, then in their opinion, it is a work only of the period of the artist, but showing their influence. Or by someone closely associated with the artist, BUT not necessarily by their pupil or student.
  •  When the name is given thus; Painted in the “Style of Giovanni Domenico Tiepolo ” or “Follower of Giovanni Domenico Tiepolo is used, this means that in their opinion it is a work of art executed only in the artist’s way, their 'style', but not necessarily by a pupil. Yet it may be a contemporary, or nearly a contemporary of the artist.
  •  If the phrase in the “Manner of Giovanni Domenico Tiepolo is used or is defined….” then in their opinion it is also only a work painted in the style of the artist, but of a later date and definitely not by the artist as named.
  •  When the term “After….Giovanni Domenico Tiepolo "; is the term used, then in their opinion it is a copy (made at any date) of an authentic and original work by the artist. This also applies to prints made 'after' an original work of art either by the artist or another artist/ printmaker.
  •  Signed - Giovanni Domenico Tiepolo ; “Dated….” or “Inscribed Giovanni Domenico Tiepolo ” Then in their opinion the work has been signed/dated/or inscribed by that specific artist. The addition of a question mark ? however, indicates a strong element of doubt.
  •  When the term 'bears signature', is used or the name, Giovanni Domenico Tiepolo is specified followed by the words; "With signature ….”, or “With date ….” or “With inscription….” or “Bears signature of Giovanni Domenico Tiepolo /date/or inscription” Then in 'their opinion,' either the signature / date / or inscription is spurious, forged or has been added by someone else other than the artist.

 

We can assist and advise you in all fine art related matters.

 



 

 

 

 

 

SPECIALIST ART AUTHENTICATION LINKS LISTED BY ARTIST

D'AUTHENTIFICATION D'ART PAR ARTISTE

 

 

 

     
APPEL KAREL
BOUVARD  - Famile.
CORNEILLE  Guillaume Beverloo
CROME JOHN
DOU GERRIT
GRIS JUAN
LAM  WILFREDO
MONDRIAN   PIET
PISSARRO CAMILLE
RENOIR PIERRE
SPENLOVE-SPENLOVE FRANK
VAN GOGH VINCENT 
CONYERS BARKER
KLINE FRANZ
PECHSTEIN MAX
MUNNINGS Sir Alfred James
DAUMIER HONORE
EDOUARD MANET

PAUL KLEE

PICASSO USA BRANCUSI  CONSTANTIN
AMOS CASSIOLI
EGON SCHIELE
Pan Tianshou Zao Wou­Ki
YOSHITOMO NARA ANITA MAGSAYSAY-HO
CHEN CHENG-PO
ATSUKO TANAKA
Thomas Sydney Cooper Jackson Pollock
Georges Braque
Andy Warhol
Lucian Freud George Stubbs
Edward Hopper
Jan Gossart
Frederick Edwin Church Edvard Munch
George Romney
James McNeil Whistler
Pieter Brueghel Leonardo Da Vinci
Michelangelo Merisi da Caravaggio
El Greco
George Armfield Mary Cassatt
Cy Twombly
George Morland
Henri Martin Henri Edmond Cross
Pierre Bonnard
Gustave Loiseau
Theo van Rysselburgh Armand Guilllaumin
Emile Bernard
Massimo Campigli
Kees van Dongen Leon de Smet
Victor Brauner
Auguste Herbin
Charles Camoin Moise Kisling
Jean-Pierre Cassigneul
Jean Metzinger
Alfons Walde Alfred Sisley
Andre Lhote
Gustave Caillebotte
Barend Cornelis KOEKKOEK Alfred Stevens
JOAQUÍN SOROLLA
James Ensor
Alexander Archipenko Isaac Israels
Henri Fantin-Latour
Odilon Redon
Hendrik Willem Mesdag Henri Gervex
Paul Sérusier
JAWLENSKI Alexej von
Matthijs Maris Maxime Maufra
John Brett
GRIMSHAW John Atkinson Edward Seago
Jack Butler Yeats
Maximillien Luce
VALADON Suzanne Francis Picabia
Jean Francois Millet
Leon Lhermitte
FLINT Sir William Russell Augustus John
Winston Churchill
Paul Maze
David Cox Snr Myles Birket Foster
Thomas Bush Hardy
Philip Wison Steer
Paul Sandby Edward Lear R.A.
William Henry Hunt
Richard Parkes Bonington
David Roberts RA John Sell Cotman
William Hogarth
John Northcote Nash
Paul Nash John Piper CH
Ben Nicholson
Samuel Peploe
Graham Sutherland Ivon Hitchens
Sir Terry Frost
Dame Laua Knight
J A Park Walter Wm Sickert
Lamorna Birch
Frank Auerbach
William Orpen Robert Bevan
Glyn Philpot
Christopher Wood
Archibald Thorburn William J. Glacken
Helen Allingham
Marcel Dyf
Andreas Schelfhout Anders Zorn
Charles Conder
Edward Ladell

Horatio Henry Couldery

Dorothea Sharp Thomas Blinks
Henry Herbert La Thangue John William Waterhouse
William Henry Margetson
Jean-Léon Gérôme Jasper Johns
Henri Lebasque Louis Valtat
Benjamin Williams Leader Hector Caffierri
Sir Lawrence Alma-Tadema Arthur Wardle
Spencer Gore Sir Robin Philipson
Heywood Hardy Mary Fedden
Joan Mitchell Sigmar Polke
Alexander Calder Helen Frankenthaler
Per Kirkeby John Duncan Fergusson
Roderic O'Coner Giovanni Boldini
Bernardo Bellott Alexander Nasmyth
Giandomenico Tiepolo      

 

 

 

ART AUTHENTICATION LINKS BY GENRE

LIENS D'AUTHENTIFICATION D'ART PAR GENRE

 
 

OLD  MASTER  ART

Art Ancien

17-18C EUROPEAN ROCOCO ART

17-18C Rococo Européen

EUROPEAN  ART   AUTHENTICATION

Authentification d'art européen

GERMAN  ART   AUTHENTICATION
Authentification de l'art allemand

ALTARPIECE &  PANEL  PAINTINGS

Retable et peintures de panneaux

IMPRESSIONIST   &  MODERN  ART

Art impressionniste et moderne

BRITISH  ART   AUTHENTICATION

Authentification d'art britannique

FRENCH  ART   AUTHENTICATION

Authentification d'art français

SCOTTISH  ART

Authentification de l'art écossais

Art hollandais et flamand

JUDAICA- Jewish Art

Judaica - Authentification de l'art juif

IRISH ART AUTHENTICATION

Authentification d'art irlandais

AMERICAN ART AUTHENTICATION

Authentification d'art américain

RUSSIAN ART AUTHENTICATION

Authentification d'art russe

SPANISH ART

Authentification d'art espagnol

CUBAN ART

Authentification d'art cubain

CANADIAN ART AUTHENTICATION

Authentification d'art canadien

HUNGARIAN ART

Authentification d'art hongrois

NORDIC - SCANDINAVIAN ART

Art nordique et scandinave

ISRAELI  ART

Authentification d'art israélien

MINIATURE PORTRAITS

ITALIAN ART AUTHENTICATION

Authentification d'art italien

CORNISH ART

INTERNATIONAL PORTRAITURE

 


 

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Giovanni Domenico Tiepolo Authentication & Attribution Investigation Experts | International Fine Art Experts - Italian Painting Specialists - Investigators of Authenticity | Artist Attribution Verification - Provenance Investigation & Art Fraud Investigators

 

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Giovanni Domenico Tiepolo , Expert Fine Art Authentication Investigations. - Authenticity Investigation Experts - Full Provenance Research and Verification.Services - Forgery Identification and Art Fraud Investigator