Ferdinand Bol Expert International Art Authentication Investigations Experts, European old master workshop - studio attributions, art forgery fake art detection, paintings  portrait, painting, oil, ,drawing.

 

 

Ferdinand Bol &Workshop

Fine Art Authentication Investigations

 


Enquêteurs d'authentification

Investigadores de autentificación

محققو مصادقة فن كوروت

Ermittler der Kunstauthentifizierung

Ferdinand Bol  & Workshop

FINE  ART  AUTHENTICATION  AND  ATTRIBUTIONS

 

 

Investigadores de autenticação da Art

Ferdinand Bol

 

Арт Следователи

艺术真实性调查员

Kunsoutentiteit ondersoeker

פיין קונסט אָטאַנטיסיטי ינוועסטאַגייטער

 
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EXPERTS INVESTIGATEURS INTERNATIONAUX EN AUTHENTICITÉ DES BEAUX-ARTS - ARTISTES ATTRIBUTION LEGITIMACY CONSULTATIONS

 

EXPERTS INVESTIGATEURS INTERNATIONAUX EN AUTHENTICITÉ DES BEAUX-ARTS - ARTISTES ATTRIBUTION LEGITIMACY CONSULTATIONS

ESPERTI INTERNAZIONALI INDAGINI SULL'AUTENTICAZIONE DELL'ARTE FINE - ATTRIBUZIONE DELL'ARTISTA E RICHIESTE DI LEGITTIMITÀ RICERCATORI SPECIALI DELL'ARTE FINE -

SERVIZI DI VERIFICA DELLA PROVENIENZA - RILEVAMENTO DI FALSI E FORGERIA DUE DILIGENCE SCRUTINY - ACQUISIZIONE E GESTIONE DEL PATRIMONIO FINE ART

 


 

 

 

Investigating the Authenticity and Attributions of works of art believed to be by;

Ferdinand Bol

Dutch

(Dordrecht 1616-1680 Amsterdam)

 

 

 Studying under Rembrandt, there are few rare works by Bol that survive today. Like his master, Bol favoured painting historical subjects as well as portraits, self-portraits and single aristocratic figures dressed in their best finery.

  

 Academic paintings of high quality were in high demand throughout Europe at this time and thus with it, came his inevitble success as an artist. But like his tutor, he was fashionable and venerated for his style and as a result was very much imitated and copied by others.

 Although it is highly unlikely that such masterpieces will surface again by his hand from within the mists of time, as his works are very well recorded, perhaps more minor ones, including studies and sketches possibly could.

 It is important however, to be able to distinguish between those works actually executed by an artist, against those 'claiming' to be by him, or that we are told are by him. There are previous attributions and misattributions to contend with and also replicated or repeated works made by others such as an artists pupils. Those paintings created by artists from within the artists direct circle to put alongside the works of art simply painted by followers, artists who produced similarly themed paintings in the artists own manner, but which could have been painted at any time after him and it can get complicated.

* * *

 As an international specialist fine art consultancy, with bases in the UK and Europe, we have been confidentially serving both private individuals and corporate clients around the world for over 45 years.

Investigating both single works of art and complete collections for clients and conducting in-depth authentication and legitimacy investigations and inquiries, full academic and forensic investigations and multilingual archival research into the origins of all old master works of art from different geographical regions and periods. We also scrutinize and research the provenance and ownership lineage.

 We are able to assist and advise you in all fine art related matters, particularly issues of authenticity and attribution, including the works of Ferdinand Bol, his circle, studio,his followers, or any works of art that you are keen to learn about.

 Some various example works of art associated with this name appear below as illustrations. 

Note: No inference is made, nor is it intended as to the question of legitimacy here. Moreover these are an across the board representational view of the differing types of works that are and may in the future be offered and advertised for sale at auction internationally.

 

 

 

     

Ferdinand Bol (Dordrecht 1616-1680 Amsterdam) PORTRAIT OF A BOY, SAID TO

BE THE ARTIST'S SON, AGED 8
Signed and dated lower left: bol.1652.

and inscribed: ætatis 8. sua Oil on canvas
Estimate GBP £2,000,000.00 — £3,000,000.00
Sold GBP £5,189,000.00

Ferdinand Bol (Dordrecht 1616-1680 Amsterdam)
THE ANGEL APPEARING TO ELIJAH
Estimate GBP £60,000.00 — 80,000.00
Sold GBP £1,364,500.00
Ferdinand Bol (Dordrecht 1616-1680 Amsterdam)
Portrait of a family, An allegory of Education
Oil on canvas
Sold USD $712,000.00
     

FERDINAND BOL (Dordrecht 1616-1680 Amsterdam) A PORTRAIT OF A LADY,

HEAD AND SHOULDERS, WEARING

PEARL JEWELRY POSSIBLY JOHANNA

DE GEEROil on canvas
Estimate USD 80,000.00 - 120,000.00
Sold USD $212,500.00

Ferdinand Bol (Dordrecht 1616-1680 Amsterdam)
PORTRAIT OF A LADY, THREE-QUARTER LENGTH,

IN BLACK SILK DRESS AND PEARLS, IN INTERIOR SETTING WITH LANDSCAPE BEYOND
Signed and dated lower right on arm of chair: FBOL.165? (FB in ligature)Oil on canvas
Estimate USD 70,000.00 — 90,000.00
Sold USD $212,500.00

Ferdinand Bol (Dordrecht 1616-1680 Amsterdam SELF-PORTRAIT Oil on canvas
Estimate GBP £300,000.00 —£500,000.00
Sold GBP £790,000.00
     
Attributed to Ferdinand Bol
Abraham and the Three Angels
Oil on canvas
Estimate GBP £30,000.00 - GBP £50,000.00
Sold GBP £54,000.00
Follower of Ferdinand Bol
PORTRAIT OF A LADY, THREE-QUARTER LENGTH
Sold GBP £4,800.00
Circle of Ferdinand Bol
Portrait of a lady as Mary Magdalene, half-length in profile, in a red and gold dress and feathered headdress Oil on canvas
Estimate USD 8,000.00 - 12,000.00
Sold USD 39,400.00
     
     

FERDINAND BOL | An angel appearing to an old man. Pen and brown ink and wash, a correction in white heightening in the old man's face.

Estimate 12,000 — 18,000 EUR
SOLD. 25,000 EUR

Attributed to Ferdinand Bol (1616-1650) Dutch.

'Christ and Judas', Pen and Ink

Estimate: £800 - £1,200

 

School of Ferdinand Bol (Dutch 1616 - 1680)

Oil, The Astronomer, bears signature &

indistinctly dated £800 - 1200

 

 

 

 

 

  

Fine Art Authentication Investigation

  The duration and the direction of any authenticity investigation or inquiry into an attribution of a work of art will inevitably vary from project to project. But there are clear and very well defined professional formalities, responsibilities and areas of scrutiny that we can formally assist you with, including:

 

  • Authentication: Authentification:  Conducting comprehensive investigations and in depth research into a work of art with a view to establishing a correct, complete and formally recognized certification. One absolutely upheld by the appropriate, legally acknowledged and internationally sanctioned authority, body or expert on that given artist. Directing detailed and complicated inquiries, with multilingual capability, including any international academic research and forensic applications that are required.

 

  •  Attribution:  Identifying and confirming the identity of a previously anonymous artist, studio or workshop from which a work of art most likely originated. Including the re-examination and investigation of a previous attribution which may be incorrect, or the scrutiny of an attribution that has been formally questioned or is currently doubted.

 

  •  Confirmation:  Undertaking research and investigations into the legitimacy of the provenance, history and prior ownership of a work of art and establishing its accuracy and legitimacy.

  •  Scrutiny: Examen minutieux:Identifying fake or faux works of art and forgeries, including any false supportive accompanying documentation and determining works of art which may be studio or later copies, or previously given incorrect attributions.

  •  Prosecution: Poursuite: Investigating alleged art fraud and forgery and assisting and advising those who are currently , or may be considering litigating or prosecuting the fact. This includes colleagues who are legal professionals and individual private clients.

  •  Attention:  Conducting all fine art related due diligence and duty of care inquiries. Including safe prepurchase or sale related audits and assisting clients in consolidating a well balanced future family distribution.

 

  •  Appraisal: Évaluation - Valuations and condition reports.

 

 

 

 

 

 

 

 

 

Step one in the Art Authentication and Attribution process.

The Pre-Authentication Assessment

   L'évaluation de pré-authentification. La evaluación previa a la autenticación

 

 

 We strongly advise clients before embarking on a full investigation of legitimacy or an artist or studio attribution inquiry, that it is wise to have an impartial preliminary assessment conducted first. One made to balance any issues that may be present that could make the longer term exercise unviable.

 This is a professional advisory service we provide, based upon the images you supply, the full details of work of arts acquisition, its history and provenance as is known to you, along with sight of any documentation, previous research or analysis that you may have had formerly conducted.

You should then have a far better understanding of both the prospects or any pitfalls we may face, before making a decision. This is a logical and cost effective professional review for which there is a modest set fee.

 

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We will respond to you promptly.

 

 

 

  Avant d'entreprendre une enquête sur l'authenticité d'une œuvre d'art ou l'attribution d'un artiste, il est plus que prudent de procéder à une évaluation impartiale de sa faisabilité. Ceci est fait pour équilibrer indépendamment tous les problèmes négatifs qui peuvent exister contre le positif.

Nous serons heureux d'entreprendre cette étude d'une manière professionnelle pour vous que nous considérons comme votre principal filet de sécurité.
Il sera basé sur les images que vous fournissez et tous les faits connus concernant votre acquisition, son passé et la provenance de l'œuvre telle que vous la connaissez. Vous aurez alors une meilleure compréhension des perspectives et des difficultés éventuelles à venir, avant de prendre une décision.

 

 

 Spanish flag Antes de embarcarse en cualquier investigación de autenticidad artística o atribución de artista, es más que prudente realizar primero una evaluación imparcial de su viabilidad. Esto se hace para equilibrar independientemente cualquier problema negativo que pueda haber contra el positivo.

Nos complace emprender profesionalmente ese estudio para usted, que consideramos su red de seguridad. Se basará en las imágenes que usted suministre y todos los hechos conocidos con respecto a su adquisición, historia pasada y procedencia del trabajo tal como lo conoce.

Entonces tendrá una mejor comprensión.

 


 

 

 

A WORK OF ART DESCRIPTOR AND TERMINOLOGY

 

 

  *It is very important to clearly understand the auction terms that are commonly used in any published descriptor and to be cautious of works that may just be created in the manner of the artist, or those which could be variants of the artists works of art that bear a signature or monogram. In this case as if they were defining the creations of; Ferdinand Bol (Dordrecht 1616-1680 Amsterdam) and his school & studio.

 

  •  Where the name, Ferdinand Bol (Dordrecht 1616-1680 Amsterdam) is given with the first name/s and surname of the artist, usually cited as, Ferdinand Bol (Dordrecht 1616-1680 Amsterdam) including his dates to be specific, then in their qualified and professional opinion, they are in no doubt. It is a genuine and authentic item and one painted by that artist. This is usually fully qualified by its inclusion in any catalogue raissone, or by the guarantee of the opinion given by the appropriate and internationally recognized expert authority on the artist.
  •  When Ferdinand Bol (Dordrecht 1616-1680 Amsterdam) is the term used, or it is similarly defined as 'Attrib. to ' [abbreviated,] or Attribué à, or ascribed to, then in their opinion it is 'probably' a work by the artist, at least in part. But... there is no guarantee. It is only an opinion that it 'possibly' may be by him.
  •  But if the term Ferdinand Bol - circle of, entourage, or “Circle of Ferdinand Bol ” is specifically used, then in their opinion, it is a work only of the period of the artist, but showing their influence. Or by someone closely associated with the artist, BUT not necessarily by their pupil or student.
  •  When the name is given thus; Painted in the “Style of Ferdinand Bol ” or “Follower of Ferdinand Bol is used, this means that in their opinion it is a work of art executed only in the artist’s way, their 'style', but not necessarily by a pupil. Yet it may be a contemporary, or nearly a contemporary of the artist.
  •  If the phrase in the “Manner Ferdinand Bol is used or is defined….” then in their opinion it is also only a work painted in the style of the artist, but of a later date and definitely not by the artist as named.
  •  When the term “After….Ferdinand Bol "; is the term used, then in their opinion it is a copy (made at any date) of an authentic and original work by the artist. This also applies to prints made 'after' an original work of art either by the artist or another artist/ printmaker.
  •  Signed - Ferdinand Bol ; “Dated….” or “Inscribed Ferdinand Bol ” Then in their opinion the work has been signed/dated/or inscribed by that specific artist. The addition of a question mark ? however, indicates a strong element of doubt.
  •  When the term 'Bears signature', is used or the name, Ferdinand Bol is specified followed by the words; "With signature ….”, or “With date ….” or “With inscription….” or “Bears signature of Ferdinand Bol /date/or inscription” Then in 'their opinion,' either the signature / date / or inscription is spurious, forged or has been added by someone else other than the artist.

 

We can assist and advise you in all fine art related matters.

 



 

 

 

 

 

SPECIALIST ART AUTHENTICATION LINKS LISTED BY ARTIST

D'AUTHENTIFICATION D'ART PAR ARTISTE

 

 

 

     
APPEL KAREL
BOUVARD  - Famile.
CORNEILLE  Guillaume Beverloo
CROME JOHN
DOU GERRIT
GRIS JUAN
LAM  WILFREDO
MONDRIAN   PIET
PISSARRO CAMILLE
RENOIR PIERRE
SPENLOVE-SPENLOVE FRANK
VAN GOGH VINCENT 
CONYERS BARKER
KLINE FRANZ
PECHSTEIN MAX
MUNNINGS Sir Alfred James
DAUMIER HONORE
EDOUARD MANET

PAUL KLEE

PICASSO USA BRANCUSI  CONSTANTIN
AMOS CASSIOLI
EGON SCHIELE
Pan Tianshou Zao Wou­Ki
YOSHITOMO NARA ANITA MAGSAYSAY-HO
CHEN CHENG-PO
ATSUKO TANAKA
Thomas Sydney Cooper Jackson Pollock
Georges Braque
Andy Warhol
Lucian Freud George Stubbs
Edward Hopper
Jan Gossart
Frederick Edwin Church Edvard Munch
George Romney
James McNeil Whistler
Pieter Brueghel Leonardo Da Vinci
Michelangelo Merisi da Caravaggio
El Greco
George Armfield Mary Cassatt
Cy Twombly
George Morland
Henri Martin Henri Edmond Cross
Pierre Bonnard
Gustave Loiseau
Theo van Rysselburgh Armand Guilllaumin
Emile Bernard
Massimo Campigli
Kees van Dongen Leon de Smet
Victor Brauner
Auguste Herbin
Charles Camoin Moise Kisling
Jean-Pierre Cassigneul
Jean Metzinger
Alfons Walde Alfred Sisley
Andre Lhote
Gustave Caillebotte
Barend Cornelis KOEKKOEK Alfred Stevens
JOAQUÍN SOROLLA
James Ensor
Alexander Archipenko Isaac Israels
Henri Fantin-Latour
Odilon Redon
Hendrik Willem Mesdag Henri Gervex
Paul Sérusier
JAWLENSKI Alexej von
Matthijs Maris Maxime Maufra
John Brett
GRIMSHAW John Atkinson Edward Seago
Jack Butler Yeats
Maximillien Luce
VALADON Suzanne Francis Picabia
Jean Francois Millet
Leon Lhermitte
FLINT Sir William Russell Augustus John
Winston Churchill
Paul Maze
David Cox Snr Myles Birket Foster
Thomas Bush Hardy
Philip Wison Steer
Paul Sandby Edward Lear R.A.
William Henry Hunt
Richard Parkes Bonington
David Roberts RA John Sell Cotman
William Hogarth
John Northcote Nash
Paul Nash John Piper CH
Ben Nicholson
Samuel Peploe
Graham Sutherland Ivon Hitchens
Sir Terry Frost
Dame Laua Knight
J A Park Walter Wm Sickert
Lamorna Birch
Frank Auerbach
William Orpen Robert Bevan
Glyn Philpot
Christopher Wood
Archibald Thorburn William J. Glacken
Helen Allingham
Marcel Dyf
Andreas Schelfhout Anders Zorn
Charles Conder
Edward Ladell

Horatio Henry Couldery

Dorothea Sharp Thomas Blinks
Henry Herbert La Thangue John William Waterhouse
William Henry Margetson
Jean-Léon Gérôme Jasper Johns
Henri Lebasque Louis Valtat
Benjamin Williams Leader Hector Caffierri
Sir Lawrence Alma-Tadema Arthur Wardle
Spencer Gore Sir Robin Philipson
Heywood Hardy Mary Fedden
Joan Mitchell Sigmar Polke
Alexander Calder Helen Frankenthaler
Per Kirkeby John Duncan Fergusson
Roderic O'Coner Giovanni Boldini
Bernardo Bellott Alexander Nasmyth
Giandomenico Tiepolo Francesco Zuccarelli
Francisco de Zurbarán Giovanni Battista Salvi- Sassoferrato
Guido Reni Sir Thomas Lawrence
Peter van de Veld Guido Cagnacci
Nicolas Poussin Claude Lorraine
Ludovico Carracci John Martin
Frans Snyders Pieter Coecke van Aels
Jean-Antoine Watteau Ferdinand Bol    

 

 

 

 

ART AUTHENTICATION LINKS BY GENRE

LIENS D'AUTHENTIFICATION D'ART PAR GENRE

 
 

OLD  MASTER  ART

Art Ancien

17-18C EUROPEAN ROCOCO ART

17-18C Rococo Européen

EUROPEAN  ART   AUTHENTICATION

Authentification d'art européen

GERMAN  ART   AUTHENTICATION
Authentification de l'art allemand

ALTARPIECE &  PANEL  PAINTINGS

Retable et peintures de panneaux

IMPRESSIONIST   &  MODERN  ART

Art impressionniste et moderne

BRITISH  ART   AUTHENTICATION

Authentification d'art britannique

FRENCH  ART   AUTHENTICATION

Authentification d'art français

SCOTTISH  ART

Authentification de l'art écossais

Art hollandais et flamand

JUDAICA- Jewish Art

Judaica - Authentification de l'art juif

IRISH ART AUTHENTICATION

Authentification d'art irlandais

AMERICAN ART AUTHENTICATION

Authentification d'art américain

RUSSIAN ART AUTHENTICATION

Authentification d'art russe

SPANISH ART

Authentification d'art espagnol

CUBAN ART

Authentification d'art cubain

CANADIAN ART AUTHENTICATION

Authentification d'art canadien

HUNGARIAN ART

Authentification d'art hongrois

NORDIC - SCANDINAVIAN ART

Art nordique et scandinave

ISRAELI  ART

Authentification d'art israélien

MINIATURE PORTRAITS

ITALIAN ART AUTHENTICATION

Authentification d'art italien

CORNISH ART

INTERNATIONAL PORTRAITURE

 

     

 

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POLITIQUE DE CONFIDENTIALITÉ

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Ferdinand Bol Authentication and Attribution Experts | Expert International Dutch Old Master Fine Art  Painting Specialists - Investigators of Authenticity | Artist Attribution Verification - Provenance Investigation & Art Fraud Investigators

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& Studio Authentication & Attribution Investigations - Expert Old Master Fine Art Investigators & Researchers. Fake & Forgery detection - Provenance Verification Services and Art Fraud Investigation.